May
18
2:00 pm14:00

Ceramic Swap

Hello fellow potters, ceramists and clay artists, let’s get Auckland regional members acquainted!

Ceramics NZ has collaborated with Auckland Studio Potters and we are hosting a ceramic swap.

Bring a small item to exchange, mingle with other members and have a fun night sharing your love for clay!

Feel free to bring nibbles, drinks will be provided.

Meet your regional council member Siriporn Falcon Grey.

Bookings are essential: https://ceramicsnz.org/shop/ceramics-nz-ceramic-swap-tamaki-makaurau/

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Nourish Exhibition
Jun
18
to 5 Jul

Nourish Exhibition

Nourish is an annual exhibition run by Auckland Studio Potters in association with Allpress Studio in Freemans Bay, Auckland. The work is presented by the Auckland Studio Potters membership, who choose their own ceramic domestic ware pieces to be displayed. All pieces are for sale, and there will be a first, second and third prize; judged by esteemed potter Peter Lange.

Exhibition opening: 6-8pm Monday 17th June

Allpress hours: Mon-Fri, 7am-2pm

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Jul
28
10:00 am10:00

Mid Winter Market

Auckland Studio Potters members will be selling their wares to the public. Join us for hot drinks, a bite to eat and a chance to buy some beautiful pottery made with care.

The market will be hosted outside in our beautiful courtyard, so if it’s pelting down with rain, we will hold the market on 3rd August.

Dog friendly, child friendly, wheel chair access.

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Big Clay Day Out 2023
Dec
3
10:00 am10:00

Big Clay Day Out 2023

The Big Clay Day Out is Auckland Studio Potters biggest fundraising event of the year, and we are very happy to announce that it is going ahead this year.

Join us for a day of pottery sales, fun family activities and food and drink stalls.

Sunday the 3rd of December. 10am - 3pm.

EFTPOS available.

Covid19 precautions will be in place including hand sanitizer stations

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Oct
1
to 31 Oct

X>1

.X > 1 - Hoping for Success, Celebrating Failure!

X > 1 is conceived as an exhibition of collaborative work made by members of the Auckland Studio Potters community. At least one member of the collaborator team must be an ASP member.

Collaborations are inherently experimental as two or more brains impose their will on the same object. Each collaboration is different and the resultant work is the product of the process itself which can either be utterly chaotic and serendipitous or a planned and regimented division of labour. Either way, an element of surprise is inevitable as multiple minds come together. This coming together can be a soft melding of forms as of two soap bubbles bouncing off one another and then gently coalescing or a violent collision of skulls that leaves nothing but annihilation and concussion in it’s wake. Between these two poles are the rubbing together of balloon and hair to create the unseen magic of static electricity as well as the simple successes of like minded vessels doing something ‘nice’ together.

The important thing about the collaboration is not always the thing made but the process of engaging with other minds and the tiny cracks that let the chaos in. In pursuit of making this aspect apparent, X > 1 collaborators will be encouraged to document their processes with words and images which will be made available to viewers of the exhibition. Collaborators will also be encouraged to give consent for all work, including the unsuccessful works and ‘failures’, to be exhibited alongside their process documentation. These collaborations can also take ceramicists out of the ceramics studio where they can collaborate with chefs or arborists; arsonists or belly dancers - anything goes.

In order to make potential artist/potters aware of and inspired by the spirit of X > 1 outlined above, I will host some evening talks at ASP and at Depot Artspace during which these ideas and processes will be discussed and workshopped including the collaborative processes of other artists like Picasso and Man Ray, Warhol and Basquiat and others. We will also look at collaborative processes such as the surrealist Exquisite Corpse and how that process might be worked into a ceramic project.

So the exhibition will include all forms of pottery as well as more contemporary iterations of ceramic sculpture and experimental works. Part of my job as curator will be to encourage participating makers to allow the collaborative process to become as much a part of the show as the objects themselves.

Participating artists will be drawn from the pool of ASP members but is not confined to the member pool. ASP potters and ceramicists can collaborate with anyone outside of ASP and these collaborators need not be ceramicists at all. Participating artists can include sculptors, painters, dancers, poets etc and really depends on the contacts, friends and acquaintances of the members. I will hold a few open, introductory talks at ASP (with cheese and wine) at which ideas for collaboration can be workshopped and discussed. The aim of these talks will be to inspire potential collaborators and generate energy and excitement for the show and the process. I will also invite artists and non ceramic makers that I have met here in Aotearoa to these talks in order to push the inter disciplinary nature of collaboration.

Richard Penn

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Aug
17
to 17 Sep

Fire and Clay Exhibition

Fire and Clay is an annual ceramics exhibition that is open to all ASP members to enter. This means the show will be a collection of varied works, from sculptural to functional. This year’s exhibition judge is Peter Hawkesby, who will make the selection of pieces to be exhibited and who wins the prizes.

Fire and Clay will be on at the Pah Homestead, 72 Hillsborough Road. 17th August - 17th September. Tue-Fri: 9am-3pm, Sat-Sun: 8am-5pm. Opening event at 6pm on Wednesday 16th August.

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Apr
24
to 5 May

Graham Ambrose 'Double Wall Journey' Exhibition

  • Auckland Studio Potters Inc (map)
  • Google Calendar ICS

‘Double Wall Journey’ is Graham’s private collection of work that he has created over the last 20 or so years. You do not want to miss this special exhibition by an incredible New Zealand studio potter, whose work can be found in private collections all over the world.

“I was inspired by the process of throwing them all upside down and have been very happy with the results I’ve had.”

Graham is particularly known for his mastery of a bold red glaze that complements these unadorned shapes.

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Mar
20
to 13 Apr

Sylvie Joly - End of Residency Exhibition

  • Auckland Studio Potters Inc (map)
  • Google Calendar ICS

“My practice in the UK is mainly with functional ceramics fired in an electric kiln (i.e., in oxidation). I came to ASP keen to experiment with NZ clays and fired in reduction (gas kiln/wood-fired kiln). Most of the pots on display are a result of mixing different clays, varying the proportions but applying the same glazes. Sometimes the difference in surface is subtle and sometimes dramatic. I always leave some of the exterior unglazed to show off the fired clay colour. My time as artist in residence at Auckland Studio Potters has allowed me to experiment with new forms and make larger pieces.”

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