Auckland Studio Potters Society (Inc)
ASP Centre
96 Captain Springs Road
PO Box 13-195 Onehunga
Auckland New Zealand

Phone 64-9-634 3622

Auckland Studio Potters


Members’ 2009 Exhibition

The ASP holds an annual selected exhibition to showcase members’ work

The 45th Annual ASP Exhibition opened on 2nd September 2009

Opening Night

I think it’s about the fourth year I have helped set up the show and it was a bit different this year.  Not quite so many entries and I also thought the works themselves seemed different.  There were certainly some splashes of colour – Peter Collis’s beautiful black bowls with their glowing red centres and Robyn Sievwright’s dazzling blue Whirlpool pots.  One thing that was missing was last year’s contingent of Raku works and there were significantly fewer entries of blue salt glazed pots and fewer wall pieces. It was a lively event with a good crowd, good music and the usual vital crowd-pleasers of short speeches, good food and plenty of wine.   Trien made beautiful nibbles again, she is such a treasure – good at everything she does, and dammit I missed the lemon tarts but I can definitely vouch for the corn fritters and the gorgeous hot sauce.

But now a drum roll, merits to Helen Perrett , Peter Lange and Lex Dawson – well done everyone, and the Premier award went to Duncan Shearer for his, gulp -  heavy bottomed, cracked dish.  Goodness. I remember someone's statement: ‘there are no rules in ceramics’.  But as Duncan told us earlier in the year as we, (the Dippy girls), struggled though our mountains of clay to make hundreds of mugs, bowls and plates for our throwing module -  you can’t break the rules until you know what they are – something like that.

I really enjoyed the selector, Rick Rudd’s speech – he reminded us to keep it all in perspective, not to get too dented by being left out, nor complacent if you get in.   And from that I took keep on potting people, and keep entering competitions – and I think it is quite good for us – we do get feedback from someone who isn’t family or our tutor and it gives focus and an aim.   

Another part of Fire and Clay is the display of work by the latest Diploma graduates. This year Annie McIver and Carol Stewart each had a plinth of work on display which showcases their individual interests and possible directions.

Anita Barlass, the hard working exhibition officer, chose this year to invite some people to have work displayed on a Ceramic Feast table as an exhibition centrepiece. This is great fun with exuberant mismatched place settings, jugs and goblets, surrounding Charade’s almost animated candelabras and my non functional rabbit casserole (no I didn’t glaze the lid on – it’s not a lid). You certainly can’t go past a good dinner party for a lively night out.

Helen Perrett

Images from the 2009 exhibition

Click an image to see an enlargement

Duncan Shearer dish

Duncan Shearer
Best In Show

Peter Lange teapot

Peter Lange
Merit Award

Lex Dawson dish

Lex Dawson
Merit Award

Helen Perrett object

Helen Perrett
Merit Award

Thanks to
Howard Williams
and
John Pirtle
for the photos

Selector - Rick Rudd

Rick Rudd group
Rick Rudd group
Rick Rudd group
Rick Rudd

Rick Rudd is one of New Zealand's leading ceramic artists, and a good friend of the Auckland Studio Potters.

He has curated and selected national exhibitions and has conducted workshops for many potters' groups and polytechnics around New Zealand. He was president of the New Zealand Society of Potters (1988 to 1991), a participant in the first New Zealand Ceramics Symposium (1988), has received two Queen Elizabeth II Arts Council grants (1984 and 1992) and was a member of the Trust Board of the Sarjeant Gallery, Wanganui (1991 to 1997). His work is held in the New Zealand High Commission, Singapore and in most of the museum and art gallery collections in New Zealand.

All Rudd's work is hand built, the majority pinched and coiled, a technique of adding thick coils of clay to the piece then pinching, squeezing and shaping the clay as it is extended. Once the forming process is completed the work is scraped and the form refined. The making process being relatively slow necessitates several days work being spent on some pieces. His shapes evolve rather than begin as separate ideas and new works often hark back to previous pieces but take on a new dimension.

You can see more of Rick's work at www.rickrudd.com

Highlights from previous years

2008

2007

2006


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